If you have an Internet connection you’ve heard about Beck’s ongoing Record Club. We featured the first installment (Beck and assorted friends covering The Velvet Underground & Nico) back in August. I love that album—there’s no telling how many times I’ve spun its sides over the years, but I can’t say I’ve found myself revisiting that set of covers since they initially appeared online six months ago.  And that’s not meant to be a slight, as the participants aim is made very clear from the outset: “There is no intention to ‘add to’ the original work or attempt to recreate the power of the original recording. Only to play music and document what happens.” No, this has more to do with my having heard one too many covers off the VU’s debut over the years, beginning with my very introduction to the Velvets via R.E.M.’s take on “Femme Fatale.” But really, it’s a classic album—it’s bound to happen. Fast forward to part three.

Now this, the third installment of Record Club (Leonard Cohen was second up), is an altogether different beast. Here, Beck and his ever-rotating group of musicians tackle the often brilliant oddity that is Alexander “Skip” Spence’s only solo album, OAR. Spence, most notably, cut his teeth with Moby Grape and Jefferson Airplane before going his own way, eventually forging a path more in line with Gary Higgins than Jorma Kaukonen. That path led to OAR; a strange, primitive, unsettling, earthy cosmic weirding. It’s also great. But OAR is another post for another time, as it certainly deserves it.

Here, under Beck’s instruction, “Books of Moses,” off OAR, is transformed from a two and half minute folk ramble into a seven-plus minute funk banger equal parts Herbie Hancock, Stevie Wonder and Shuggie Otis. If that last sentence doesn’t make you want to press play, you’re on the wrong blog. Amidst a fatback steady backbeat and nasty percussive synths, vocals are handled by British soul singer Jamie Lidell who shucks and jives like a Mississippi juke joint. This track just sweats.

photo: autumn de wilde

MP3: Beck’s Record Club :: Books of Moses
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6 Responses to “Books of Moses (Skip Spence Cover)”

  1. There’s also the wonderful “More Oar” tribute to that album that came out in the last decade, with Beck, Tom Waits, and Jay Farrar among the participants.

  2. @Dan, totally. I used to have a few of the tracks as mp3s, but never bought it. Need to remedy that as this latest beck project has me listening to the original again.

  3. To each his own, I reckon. While I’ve been enjoying this Record Club record immensely (obsessively, even), I thought this was the weakest and most self-indulgent track yet. I implore readers to dig back further into this record for real, moving beauty: The A cappella “All Come To Meet Her”, Feist’s funky soul on “Weighted Down”, the haunting “War In Peace”, the infectious “Little Hands” and throughout, utterly jaw-dropping guitar work by Nels Cline. This was one of my favorite albums of last year, and it’s not even complete yet.

  4. This is why we tune in again and again……..no one compares with AD on the eclectic and the brilliant and the underground great time tune-age. Grazie Mille yet again.

  5. Whoa. Who is Jamie Liddell? He is just tearing it up at the beginning of this track! Beat’s not bad either.

  6. less = more.

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