Last March, driving back to L.A. from Texas after SXSW, there was one thing the four of us riding down the highway in an old Ford could all agree upon: that Lissie had the best pipes of the week. Reminiscent of the same stuff that made Bonnie Raitt a star four decades before, Lissie, or Elisabeth Maurus, cut a session for us last month with Raymond Richards at Red Rockets Glare Studios in west Los Angeles. I'll be airing the . . .
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