bob-dylan-1965

The studio recordings Bob Dylan made in 1965 are undoubtedly up there with the best rock and roll ever put on tape. The remarkable thing about this period, however, is how ramshackle Dylan’s process was at the time. Dylan told Allen Ginsberg that he would: “go into the studio and chat up the musicians and and babble into the microphone then rush into the control room and listen to what he said, and write it down, and then maybe arrange it a little bit, and then maybe rush back out in front and sing it [again]!” The resulting masterpieces — Bringing It All Back Home, Highway 61 Revisited 61 and Blonde On Blonde — speak for themselves. But there were plenty of false starts and fragments that illuminate how Dylan was conjuring up that thin, wild, mercury sound.

First up is “You Don’t Have To Do That,” recorded at the first Bringing It All Back Home sessions in January. It’s just a catchy solo acoustic thing, pleasant in its inconsequentiality. Clocking in at under a minute, it calls to mind some of the throwaways from the prior year’s Another Side of Bob Dylan. Bob had bigger and better things on his mind.

Bob Dylan :: You Don’t Have To Do That

Next, we move on to the summer of ’65 to the Highway 61 Revisited sessions for a tune known alternately as “Lunatic Princess Revisited” (likely a bootlegger’s tongue-in-cheek attempt at coming up with the quintessential Dylan song title) or “Why Do You Have To Be So Frantic.” Amazingly, Dylanologist Clinton Heylin has claimed that it’s the musical basis for “Slow Train Coming,” which wouldn’t appear until 1979. Maybe? It’s definitely a case of Dylan babbling into the microphone over a pleasingly funky groove. “Lunatic Princess” was probably just a way to blow off steam at the time — the rest of the session was devoted to recording a little ditty called “Like A Rolling Stone.”

Bob Dylan :: Lunatic Princess Revisited

Dylan_studio_1965

We now skip ahead a few months — a few very eventful months for Dylan — to October, when Bob was trying to figure out how to follow up the glories of the summer. He had brought his current touring band — Robbie Robertson, Garth Hudson, Rick Danko, Richard Manuel and Levon Helm — into the studio to cut “Can You Please Crawl Out Your Window,” which was released as a single in December. But the musicians tried out a few other things during the sessions. There’s an attempt at something called “I Don’t Wanna Be Your Partner,” which Dylan would rework a few weeks later into ‘I Wanna Be Your Lover” — and then discard entirely (it was finally released decades later on Biograph). And there’s another riff, “Jet Pilot,” that grooves along for a minute-and-a-half. But the real gem is “Midnight Train,” a beautiful dream of a song that Dylan would incorporate into “Temporary Like Achilles,” during the Nashville Blonde On Blonde sessions. It lasts a total of 59 seconds, but it’ll have you pressing repeat over and over. words/ t wilcox

Bob Dylan :: Midnight Train
Bob Dylan :: Jet Pilot
Bob Dylan :: I Don’t Wanna Be Your Partner

Related: Bob Dylan: Odds & Ends – The Archives

10 Responses to “Odds & Ends :: Dylan’s 1965 Studio Fragments”

  1. Midnight Train indeed! Hints and echoes from a number of other sings (Just Like Tom Thumb’s Blues) but distinct and tantalizing in it’s own right.

    This reminds me that there’s some cable TV commercial currently looping that cribs closely from 4th Time Around. Loose the Great Man’s lawyers!

  2. “Lunatic Princess Revisited” — one of the all-time greatest song titles.

  3. Thanks for this, never heard some of these before! Yeah, that’s an interesting idea by Heylin. Not sure I agree, but I don’t think it’s unreasonable to think Dylan would revisit things that didn’t work the first time around either.

  4. Fyi: Midnight Train is better known as Medicine Sunday. Never heard Lunatic Princess: cool find, thanks a mil!

  5. wonderful

  6. I love hearing Robbie Robertson talk nowadaze (now when he appears to be a tad less disingenuous, but who knows anything? I certainly do not) about how he and the rest of the boys were learning from Dylan here, and then again in a different way in the basement. I swear to gawd you can here the Hawks learning to ‘step back’ during any of these studio sessions.

  7. Very cool, thank you. I love your XM show too, that and the old school show are the best things on the channel.

    Just FYI, I could play the tracks in Firefox but got a “failed – server problem” message with Chrome.

    @Fender_Belly

  8. Some more good stuff from this era here – http://thousandhighways.blogspot.com/2013/07/shades-of-blue-deluxe-edition-1965-1966.html

  9. […] + Dylan’s studio fragments from 1965. […]

  10. […] Aquarium Drunkard publica cinco fragmentos de estudio correspondientes a las sesiones de grabación de Highway 61 Revisited. Algunos son bien conocidos y otros no tanto. […]

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