Archive for the 'The AD Interview' Category

Thursday, November 20th, 2014

Dwight Twilley doesn’t care much about terms like “power pop.” It’s not that he objects, he just doesn’t care about the tag. “The Beatles were pretty much the greatest power pop band of all time, so if you want to put me in the same category as them, I’m fine with it,” he laughs, speaking […]

Wednesday, November 19th, 2014

I have already sung the praises of Matt “MV” Valentine elsewhere. For the Google-averse, I can sum it up by saying that MV’s music–both with and without his partner, co-conspirator and constant foil Erika “EE” Elder–has been as crucial a catalyst for my development as a listener as I imagine the Stooges, Big Star, or […]

Monday, October 20th, 2014

Twin Peaks’ 2013 debut Sunken, issued by Aquarium Drunkard’s sister label Autumn Tone, was a tight, fuzzy blast of garage rock. It was a brief, but powerful, statement from a couple Chicago kids inching toward their twenties. Wild Onion the band’s 2014 LP for Grand Jury, takes the promise of their first expands it outward. […]

Wednesday, October 15th, 2014

Late last year, after incessant touring among the ranks of his Alma mater acts Woods and The Babies, Kevin Morby released his solo debut – the stunning folk of Harlem River. On the self-proclaimed ‘homage to New York City,’ Morby transposed from supporting role to lead with a nonchalance often not found among even the […]

Thursday, October 9th, 2014

On August 27th Chicago-based label Drag City announced a new Bonnie “Prince” Billy album, Singer’s Grave a Sea of Tongues, by uploading a staged interview with Will Oldham, the cryptic force and songwriter behind the “Prince” Billy moniker, dubbed “The Most Awkward Radio Innerview Ever!?!” For 17 minutes and 47 seconds, Oldham berates, threatens, and […]

Monday, October 6th, 2014

With 2013’s Time Off, guitarist Steve Gunn took a leap that often proves disastrous for guitar soli performers: he started singing. His albums had featured vocals before, but Time Off was different. On it, Gunn embraced proper songcraft, echoing the timeless strains of the Grateful Dead, Rob Galbraith, and J.J. Cale, pairing impressionistic lyrics and […]

Monday, September 29th, 2014

This week marks the release of Down Where The Spirit Meets The Bone, the 11th studio album from Lucinda Williams. It’s a first in many ways – her first double studio album, her first on her new self-run record label, and her first to feature lyrics written by her father, poet Miller Williams. Williams spoke […]

Wednesday, September 3rd, 2014

Christopher Denny’s If The Roses Don’t Kill Us is the kind of record that sounds as if it’s always existed: a sturdy, twangy blend of southern soul, country, and folk. Denny’s voice – a reedy, high and lonesome thing – is at once alien and familiar. The Arkansas songwriter wields it like a weapon, singing […]

Wednesday, July 2nd, 2014

It’s been half a decade since we were treated to an LP from San Francisco’s Skygreen Leopards. Having taken some time earlier this year to collaborate with Ben Chasney (Six Organs of Admittance) as New Bums, longtime collaborators Donovan Quinn and Glenn Donaldson have revitalized their brand of bucolic, jangle-pop via Family Crimes, their first […]