If you missed our interview with the Bonnie ‘Prince’ last month, you can find that, here. Below is the new video for “New Black Rich (Tusks)” 7″, culled from Oldham’s 2014 LP, Singer’s Grave a Sea of Tongues, directed by Claudia Crobatia. Tusks, indeed.
Archive for the 'Will Oldham' Category
Doug Paisley and Bonnie “Prince” Billy are individually responsible for two of this year’s most sublime collections of folk rock, Strong Feelings and Singer’s Grave A Sea of Tongues. In a gorgeous case of real recognizing real, the songwriters have teamed for “Until I Find You,” a new single available from the solid folks at […]
On August 27th Chicago-based label Drag City announced a new Bonnie “Prince” Billy album, Singer’s Grave a Sea of Tongues, by uploading a staged interview with Will Oldham, the cryptic force and songwriter behind the “Prince” Billy moniker, dubbed “The Most Awkward Radio Innerview Ever!?!” For 17 minutes and 47 seconds, Oldham berates, threatens, and […]
One thing fans of Chicago-based Drag City Records have always hoped for was a full-album collaboration by their two all-star players, Will Oldham and David Berman. To this date, that has yet to happen. However, this rare 7”, Silver Palace – Mr. Jews, released in 2005 and limited to 500 copies on Drag City/Sea Note […]
A retrospective journey through the ever-evolving world of Will Oldham – spanning the lo-fi, acoustic Palace recordings of the early 90s, to the polished country/folk of the very prolific Bonnie “Prince” Billy. Palace :: A Retrospective Bonnie ‘Prince’ Billy :: A Retrospective
The second entry of our new cult film column, Videodrome, went live this week focusing on the 1977 revenge fandango, Rolling Thunder – a film I was initially turned onto in 2005 via the Bonnie ‘Prince’ Billy / Matt Sweeney collaborative LP, Superwolf. One of our favorite records of the past decade, Superwolf is home […]
John Denver died in a plane crash in 1997 — several years later the compilation Take Me Home: A Tribute To John Denver was released via Badman Recordings. Guiding the artist roster, the compilation sonically concentrated on the somber stylings of the (then) quiet-is-the-new-loud zeitgeist – specifically that of Mark Kozelek, whose Red House Painters […]