Sun Ra & His Intergalactic Solar Arkestra: Space Is The Place (Music From The Original Soundtrack)

This month marked the 109th anniversary of Sun Ra’s arrival on earth. As such, it’s a fine time to revisit the soundtrack to the iconoclast’s 1974 Afrofuturist science fiction film, Space Is The Place. The Sundazed label has it covered via their new boxed set, Sun Ra & His Intergalactic Solar Arkestra: Space Is The Place (Music From The Original Soundtrack).

Sun Ra Arkestra :: Swirling

“Music is not material. Music is spiritual.” Swirling, the first studio effort from the Sun Ra Arkestra since 1999, is about more than just music. It’s part of a vast cosmic legacy of Sun Ra. Guest reviewer Brad Farberman joins us for a listen.

Tone Scientists :: Tiny Pyramids (Sun Ra)

This one slipped out quietly as the b-side of a one-off 7″ in 2018 – Tone Scientists’ cover of Sun Ra’s “Tiny Pyramids.” True to the 1974 Arkestra original, the ad hoc group ride a heavy Pungi-like groove throughout. With percussion buoyed by jazzist Vince Meghrouni and Tortoise’s John Herndon, session producer Mike Watt fills in on bass duties with Pete Mazich on keys. Saturn music endures …

Sun Ra: A Joyful Noise (Documentary)

For those interested in the potent alchemy that was the brew of bandleader, philosopher, player and poet, Sun Ra, filmmaker Robert Mugge’s documentary “A Joyful Noise” is essential. Released in 1980, the hour long film captures Sun Ra’s Arkestra performing in Washington D.C., Philadelphia and Baltimore, along with behind the scenes footage of the players at rest, rehearsal and in interview.

Stream the film, in its entirety, below.

No Way Out: An Oral History of Sunburned Hand of the Man: Time Goes Way Back

This is the last episode of the podcast! We start with comments from Sunburned members reflecting on the impact of press coverage and ensuing exposure on the band. This shifts to general comments about how they’ve navigated – and oftentimes defied – external expectations. This section closes on the role humor has played in the band. Then we shift to comments and stories shared by friends, collaborators, and fans of Sunburned Hand of the Man, including thoughts from Thurston Moore, Ethan Miller, Neal Campbell, and more! We close out the episode and the podcast with a final thought from each of the band members interviewed for this project.

No Way Out: An Oral History of Sunburned Hand of the Man: Flex

In this week’s episode, we try to wrap our brains around how Sunburned Hand of the Man actually makes their freeform music. Through the episode, we consider the semantics of improvisation and practice in the context of this free form entity. In that context, we learn how the open nature of the band manifests in unspoken rules of not telling each other what to do. This, in turn, allows the band members to enter and commit to the jam in a way that is more authentically connected and elevated.

No Way Out: An Oral History of Sunburned Hand of the Man: Heavy Rescue

This week, we shift from the band’s chronological narrative to consider the many factors that bind this chaotic mass of people together in this creative yet uncommercial experience. We open with our focus on the role that music has played in the band members’ individual lives and how a shared love of music brought them all together. This morphs into a consideration of the band’s many artistic influences, with a close look at the impact of the Wu-Tang Clan on Sunburned. We hear about the complicated and often difficult backgrounds of many of the Sunburned musicians and how jamming with the band can often serve as a type of group therapy.

No Way Out: An Oral History of Sunburned Hand of the Man: Loft at Sea

This week, we finish the band’s chronological story then pivot to take in Sunburned’s many artistic collaborators. We hear about the personal impact of the band’s non-stop touring and the eventual burnout that ground things to a halt. Moloney and Thomas then describe how this was followed by several “wilderness years” where the band was just there but they weren’t really doing anything with it.

No Way Out: An Oral History of Sunburned Hand of the Man: Tent City Roller

At this point in our story, Sunburned Hand of the Man morphs into a many-headed hydra with varying manifestations in the loft and on each tour. To get through this vague period of 5-8 years, we focus on the band’s tour stories. We learn how a years-long period of heavy touring was kicked off with a family-band excursion to play a wedding in Alaska. After a conjunction of high-profile press coverage, Sunburned suddenly found themselves in high demand on the international festival circuit. So we focus on stories of their extended tour of Europe and the UK in 2003. Our story gets blurry after that first European tour, so we step back and focus first on stories of Sunburned’s many North American tours – including the 2004 cross-country trek out to Arthur Fest and back where they picked up the “no way out” rallying cry. Finally, we hear a conglomeration of stories from the band’s later European tours.

No Way Out: An Oral History of Sunburned Hand of the Man: Headdress

Our pilot episode introduces the concept of the podcast and takes a close look at Sunburned’s iconic album, Headdress. We hear about the origins and goals of the podcast—grappling with the complexities of Sunburned’s chaotic narrative. Music journalist Allison Hussey joins us to provide an outsider’s perspective of the band. Byron Coley describes Sunburned’s impact on the wider music scene. Then we focus on one song in an attempt to discern a bit of what Sunburned does when they jam. Finally, we turn to Sunburned’s iconic 2002 release, Headdress, and that album’s recent 20th anniversary reissue.