La grande classe. Point barre.
La grande classe. Point barre.
Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday – Noon EST with an encore broadcast at Midnight EST.
SIRIUS 357: Jean Michel Bernard – Générique Stephane ++ Jacques Dutronc – Les Métamorphoses ++ Rob Jo Star Band – I Call On One’s Muse ++ Cisneros & Garza Group – I’m A Man ++ Rolling Stones – We Love You ++ Courtney Barnett – Lance Jr. ++ Kevin Morby – Slow Train (w/ Cate Le Bon) ++ Kevin Morby – Reign ++ Big Star – Mod Lang (Alternate Mix) ++ Dion – Purple Haze ++ Crazy Horse – Dirty Dirty ++ Relatively Clean Rivers – Easy Ride ++ The Gories – Hey, Hey We’re The Gories ++ The Zombies – Sticks And Stones ++ Lantern – Bleed Me Dry ++ Donald Thomas – Calling Me Home ++ Jonathan Rado – Hand In Mine ++ Lee Hazlewood – Pour Man ++ Margo Guryan – Sunday Morning ++ White Hinterland – Dreaming Of Plum Trees ++ Blossom Dearie – Somebody New ++ Keith & Tex – Tonight ++ Television Personalities – Part Time Punks ++ The Reggae Boys – Selassie ++ Paul McCartney – Darkroom ++ Santa Nguessan – Manny Nia ++ Madvillain – Papermill ++ The Upsetters – Taste of Killing ++ Freddie Mackay – When I Am Gray ++ Black Rock – Yeah Yeah ++ Lil’ Ed & The Soundmasters – It’s A Dream ++ Michael Kiwanuka – Bones ++ Nina Simone – Four Women ++ Les Surfs – Tu Seras Mi Baby ++ The Crystals – He Hit Me (It Felt Like A Kiss) ++ The Dutchess & The Duke – Living This Life ++ Hopeton Lewis – Sound And Pressure ++ Chrissy Zebby Tembo & Ngozi Family – Fisherman ++ Fuzz – This Time I Got A Reason ++ Bernard Chabert – II Part En Californie (He Moved To California) ++ Pete Ham – Without You ++ The Kinks – Big Sky ++ The dB’s – Moving In Your Sleep ++ Big Star – Daisy Glaze
*You can listen, for free, online with the SIRIUS three day trial — just submit an email address and they will send you a password.
In 1979 Harry Nilson took a hiatus from recording what would turn out to be his final (full) album, Flash Harry, in order to act as musical director behind filmmaker Robert Altman’s 1980 film, Popeye. Co-produced by Bruce Robb, with arrangements by Van Dyke Parks, Nilsson composed all of the film’s original songs.
An inspired collaboration that almost didn’t happen, re: an Altman anecdote per Nillson’s involvement: “Nobody wanted him at first except Robin Williams. Everyone said ‘You’ll get in trouble with him — he’ll get drunk; he won’t do it; he’s all washed up.’ As a matter of fact I said all of those things about Harry to Robin myself one day. Then I went home and thought about it and said to myself, ‘Jesus, that’s what some people are saying about me!’ So I called Harry Nilsson, because I had never met him in my life, and we got along terrifically.” Glad they did.
Below is the original Nilsson demo for “He Needs Me”, as sung by Shelley Duvall
Straight out of Virginia Beach, Bill Deal & The Rhondels 1970 cover of Lennon/McCartney’s “Hey Bulldog”. The fabs…this is not.
Lagniappe (la·gniappe) noun ˈlan-ˌyap,’ – 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.
The Lagniappe Sessions return with Jolie Holland, who is about to kick off her European tour beginning September 22nd, in Paris, in support of her latest full-length, Wine Dark Sea. From the palm wine guitar of Sierra Leone’s S.E. Rogie to the post-crash muse Robert Zimmerman was chasing, Holland digs in, reinvents the material, and shares her thoughts on each, below.
Jolie Holland :: Do Me Justice (S.E. Rogie)
S. E. Rogie (1926-1994) was one of the originators of ‘high-life’ West African music. He’s a beautiful guitarist and a powerful songwriter. His music has been a big influence on me since the late nineties. “The Littlest Birds” (a song I wrote when I was in the Be Good Tanyas) was highly influenced by West African guitar feeling, as well as by Western Swing, which are not so distantly related after all: I heard that the two-step comes from Africa. S. E. Rogie alludes to Western Swing, surf guitar and other rock and roll idioms in his work. Aside from the brilliant syncretic nature of his music, Rogie wrote some gorgeous songs. “Do Me Justice” is a shining example. It’s deeply personal and absolutely universal. My song “On And On” off of Wine Dark Sea directly quotes S. E. Rogie. It was a sincere pleasure to reinterpret his “Do Me Justice”– it’s impossible to get inside such a song without being uplifted.
Jolie Holland :: Tell Me That It Isn’t True (Bob Dylan)
I happened to need a pretty large band to express the material I wrote for Wine Dark Sea. Two drummers with full kits play simultaneously on each track, and as many as four electric guitarists play at once. Our bandmate Doug Wieselman suggested Bob Dylan’s large-ensemble recordings as inspiration. That brought us to listen to Blonde On Blonde, with its seamless integration of many live elements into a whole. “Tell Me That It Isn’t True,” from Dylan’s album Nashville Skyline features Kenny Buttrey on drums. It’s an especially moving performance. We’ve been playing a couple Dylan songs from that era on the road– they originate from the place between so called modern folk music and rock and roll. As my music has made a similar transition, it’s been a strong meditation to perform songs that date from when Dylan forged that passage. You’ll seldom hear a band play so hot and sweet as you do on those recordings of Dylan’s from the late sixties and early seventies.
A Tommy James and the Shondells original, Johnny Thunder and his crew turned the track inside out in 1968 transforming it into the soul/fuzz monster you hear, below. They took the reins and they ain’t giving ‘em back.
Lately, I’ve really been getting back into playing guitar. Long before DJ’ing, I played guitar and bass in bands. Now that I’ve been playing again, I’ve also noticed a shift in my listening tastes. Of course, I still love funk and soul, but if there’s a fuzzy guitar in the mix, it definitely catches my attention over other sounds. As such, I’ve been buying a lot of guitar heavy 60s/70s sounds.
Slade :: The Shape Of Things To Come – Before becoming glam rock standard bearers, Slade toyed with a skinhead look and general post-psychedelic/hard rock sound. This version of the Mann/Weil song comes from their 1970 LP, Play It Loud.
Winston’s Fumbs :: Real Crazy Apartment – Jimmy Winston was the original organist (also guitar) in legendary mod group Small Faces. Unfortunately, his tenure with the band was short lived. One year after releasing a version of the Small Faces’ “Sorry She’s Mine” as Jimmy Winston & The Reflections, he followed with the excellent “Real Crazy Apartment”. The only release by Winston’s Fumbs, the song is definitely heavy but retains a pop sensibility and never devolves into the crude clichés that plague a lot of late 60s/early 70s ‘heavy” sounds.
Via Steve Young’s (woefully still) out-of-print 1969 lp, Rock Salt And Nails. A genre cornerstone, Gram Parsons, Gene Clark, Hal Blaine, James Burton, Chris Ethridge and others guest. Per the below, many have covered – though none have matched.
We’re back in NYC. Thursday night, September 18th, Aquarium Drunkard presents Hiss Golden Messenger with Alexander Sauser Monning at Rough Trade in Brooklyn. We have several pairs of tickets for AD readers. To enter, leave a comment with how you first happened upon HGM. Winners notified via email.
Tickets available for purchase, HERE.