robert-pollard-off-to-business.jpg

Robert Pollard Is Off To Business - the first release on the newly christened Guided by Voices record label - is set to hit stores June 3rd. As a Pollard pundit, I’m obviously into it, but look forward to checking out the LPs other nine tracks. Judge for yourselves below via the album’s first single “Gratification To Concrete.

Download:

MP3: Robert Pollard :: Gratification To Concrete
———-
Pre-order: Robert Pollard - Is Off To Business

+ Download Robert Pollard via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

hayden

The pinnacle of Hayden Desser’s career thus far was his 2001 album, Skyscraper National Park. It took the suffocating isolationism of Hayden’s lyrics and finally let it transcend the minimalist structures of his first two LPs, allowing it room to breathe and explode across songs like the noisy and gorgeous “Dynamite Walls.” But those elements disappeared a bit through the follow-up, Elk-Lake Serenade, in exchange for a more controlled, more fleshed out set of songs that, on the one hand, created some of his finest singles to date, but on the other, left less emotional investment to be had. In Field & Town pulls from both albums’ worthiest elements and creates an excellent album that finally sees Hayden’s songwriting getting the fully composed treatment it regularly deserves.

The album opens with a song that is bound to throw long-time listeners. The title track is more bubbly and invested with sound than just about any Hayden song before it. When I first heard it, I didn’t like it. The sound is reminiscent of elements of indie-rock and I initially thought it derivative. But the more I listened to it, the less I was able to pin down exactly where I had heard the styles before. I’m used to a Hayden album having moments of full-on instrumentation amidst smaller, more sparse constructions. So imagine my surprise when the track that follows it, “More than Alive,” starts off with a standard-sounding Hayden piano arrangement only to explode across horns and punches of electric guitar. “The Van Song,” and especially “Worthy of Your Esteem,” continue in this vein, creating some pretty outstanding moments across the first half of the album. Only the maudlin and lovely “Damn this Feeling” is a return to the Hayden form of old - piano and harmonica holding up the whole song. It’s a great momentary lull and reminder of why his earlier albums were so enjoyable. It doesn’t negate the fact that this move away from that style was a necessary move in order for his music to remain interesting.

In the middle of the album is its longest song, “Did I Wake Up Beside You?” At just over five minutes, it hearkens back to the exploratory noise of Skyscraper National Park, building across a couple of verses and choruses to a truly triumphant bridge of intense sound. It’s here, and honestly across a lot of the record, that comparisons to Neil Young have been most accurately leveled at Hayden. It’s only fitting considering Hayden’s cover of Young’s “Tell Me Why” on the Live at Convocation Hall double-album. The stumbling, seeming out of sync, but really well within it - the borderline atonal guitar solo that rips through the bridge - all reflective of Young’s work.

The rest of the album is spotted with one bubbling pop moment (“Where and When”), more typical Hayden minimalism (“Weight of the World,” “Barely Friends”) and one of the album’s finest lyrical moments, “Lonely Security Guard.” It’s one of the moments where Hayden’s lyrics escape the dreary navel-gazing he evokes so well and, while not eschewing the self-deprecation, creates a funny and warm story. He’s done this before - “Hollywood Ending,” for instance - where his natural sense of humor (catch him live on tour and you’ll see what I mean) comes out in unexpected ways. It makes for one of the album’s finest moments and shows the depth of his writing ability.

In Field & Town isn’t any great leap forward for Hayden - at this point in his career, I doubt we’re going to see one of those. But it is a truly excellent record, one his fans will enjoy if they open themselves up to his developing style and look for all the familiar touchstones. New fans also may find a lot to like now that his music has fully climbed up from its darker, simpler moments. - j. neas

Download:
MP3: Hayden :: Where and When
MP3: Hayden :: Lonely Security Guard
———
Amazon: Hayden - In Field & Town

+ Download DRM FREE music via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

Earlimart

Aquarium Drunkard presents the the home team, Earlimart, at the Echoplex May 17th with special guests Voxhaul Broadcast, Siggy and Light FM. Tickets are $12 advance, or free if you win one of the five pairs we are giving out to AD readers below.

To win a pair: In the comments, leave your full name, a valid email address and the name of your favorite Earlimart LP or EP. Winners will be notified via email.

Download:
MP3: Earlimart :: Happy Alone
MP3: Earlimart :: Unintentional Tape Manipulations
———–

+ Download Earlimart via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

Dirty Laundry :: The Soul of Black Country

Get off yer horse and check out a few samples from volume one of the two-volume Dirty Laundry compilation that rounds up a collection of black country-soul nuggets, both covers and originals (James Brown covering Hank Williams, anyone?), from the sixties and seventies. Thanks to mr. Ryan for the turn-on.

Download:
MP3: Bettye LaVette :: What Condition My Condition Is In
MP3: James Brown :: Your Cheating Heart (link fixed)
MP3: Bettye Swann :: Just Because You Can’t Be Mine
———–
Amazon: Dirty Laundry: The Soul of Black Country

+ Download DRM FREE music via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

dj-aquarium-drunkard.jpgOur weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 47: Pylon - Stop it ++ B-52’s - 6060-842 ++ Orange Juice - Moscow ++ R.E.M. - Wolves Lower ++ Port O’brien - I Woke Up Today ++ Bodies of Water - Here Comes My Hand ++ Destroyer - European Oils ++ AC Newman - Come Crash ++ Silver Jews - Send In The Clouds ++ Sonic Youth - Shoot ++ The Breeders - Only In 3’s ++ Pixies - I Bleed ++ Violent Femmes - Promise ++ The Modern Lovers - Dodge Veg-O-Matic ++ Someone Still Loves You Boris Yeltsin - You Could Write A Book ++ The Shaky Hands - Why And How Come ++ Grand Archives - Miniature Birds ++ Band of Horses - Our Swords ++ Replacements - Answering Machine ++ Strokes - Hard To Explain ++ Pretenders - Up The Neck ++ Television - Glory ++ Blondie - Hanging On The Telephone ++ Nick Lowe - Music For Money ++ Elvis Costello - (I Don’t Want To Go To) Chelsea (Basing Street Studios Version) ++ Johnny Thunders & The Heartbreakers - Chinese Rocks ++ Ramones - 53rd & 3rd ++ New York Dolls - Looking For A Kiss ++ The Raincoats - Lola ++ Yellow Fever - Alice ++ Leslie Swanson - Each Time ++ Belle & Sebastian - Seeing Other People ++ Vaselines - Rory Rides Me Raw ++ Liz Phair - Never Said ++ Liz Phair - Divorce Song ++ Liz Phair - 6′1

*You can listen, for free, online with the SIRIUS three day trial — just submit an email address and they will send you a password.

—————————————————————————————————————————

port-obrien.jpg

Off The Record is a recurring feature, here on the Drunkard, that marries two of my greatest interests; music and travel. Having a locals perspective when visiting a new locale is the difference between experiencing it through the lens of a tourist and of that of a native.

Off The Record gathers some of my favorite artists, asks them to reflect on their city of residence, and choose a handful of places they could not live without, be them bookstores, bars, restaurants or vistas.

Today’s installment of OTR catches up Van And Cambria from Oakland CA’s Port O’brien who wax on their favorite northern California spots. The band is set to play here in Los Angeles, at the Echo, May 13th with Someone Still Loves You Boris Yeltsin. We have three pairs of tickets to giveaway to Aquarium Drunkard readers. If you want a pair, leave your name, a valid email address and your favorite summer-time cocktail in the comments.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Even though the band is based out of Oakland, all of us grew up in San Luis Obispo county, and continue to spend a lot of time there. Its a beautiful area on the coast directly in between San Francisco and Los Angeles. There are a bunch of little towns in the county that all have some individual charm. Cambria and I are from Cambria (yes, she was indeed named after the town), Caleb is from Los Osos, Josh is from Arroyo Grande, and Zeb is from Cayucos.

1) Nitt Witt Ridge - Located in Cambria, Nitt Witt Ridge is described as the “Poor Man’s Hearst Castle.” Its essentially a house made of found objects by a legendary eccentric named Art Beal, or Captain Nitt Witt. The site has a fascinating story behind it, and is a registered California Historical Landmark, designated as “Folk art.” We are fortunate enough to know the current owners and have been able to put on a few shows there, and even filmed the music video for “Stuck on a Boat” there.

2) Bubblegum Alley - Located in San Luis Obispo is simply a brick alley with walls completely covered in used chewing gum. Its so interesting to see it change over the years, different artistic things made with chewing gum. You’d be surprised at how creative people can be with chewing gum. “Weird Al” Yankovic went to school in San Luis Obispo and wrote a song about this very alley.

3) Boo Boo Records - Located in San Luis Obispo this is easily our favorite record store of all time. Its been able to survive and thrive in the changing market, while maintaining true to its roots. They have a great selection of all kinds of music, and a great vinyl selection as well. Everyone that works there is incredible, and the prices are great too!

4) Taco Temple - Located in Morro Bay this is the favorite SLO county restaurant of Port O’Brien. Their food is described as “California fusion” and the burritos are enormous (and not too expensive at about 7 bucks). Its right on Highway 1 and across from the ocean. It has an extremely relaxed “Californian” feel and I doubt they would kick you out if you came in shirtless or shoeless. Their chips and salsa (free after 5pm) are to die for.

5) Elephant seals! - North of San Simeon about 10 miles or so is a massive elephant seal breeding ground. Its now a huge tourist destination, but its still absolutely fantastic. At night is our favorite time to go. There isn’t anyone there, and you can just hear the thunderous yells of the seals. Then, one a car passes by with its headlights, it momentarily shows you just how many seals there are. Its beautiful!

6) Thai Boat - Located in Morro Bay, this is a Thai restaurant full of charm and amazing food. Its located in a building shaped like an actual boat and the people there are honestly the nicest, warmest, and most considerate people in the world. Its small, mainly a take-out place, but its worth it just to meet the family who runs the place.

7) Palm Theater - San Luis Obispo’s independent movie theater plays consistently great movies for a great price. Even the popcorn is affordable! The screens are on the small side, which provides a great intimacy and it really feels like a community event when you see a movie there. Plus, Mondays are only 5 bucks.

8) Linnea’s Cafe - San Luis Obispo’s most wonderful coffee house. This place has a wonderful back garden area, and plenty of cozy seating. They have great breakfast, and their coffee is great. Their tea selection can’t be rivaled in the county and the ambiance is perfect. Plus, they are open until 11pm, which is rare for this county.

9) The hot tubs on Moonstone Beach Drive - One of the only things to do in Cambria during night-time is to sneak into the local hotels and use their amazing outdoor hot tubs. Fogcatcher is probably the best, and we’ve never been kicked out there. If there are too many people using the tub, try the Fireside.

10) Main Street Grill french fries - Cambria’s and the world’s best french fries. Honestly. 100% Port O’Brien guarantee.

Download:
MP3: Port O’brien :: I Woke Up Today
————–

www.portobrien.com ++ www.myspace.com/portobrien

+ Download DRM FREE music via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

win-butler-mac-merge.jpg

Arcade Fire and Superchunk just played the Obama rally in North Carolina. Aquarium Drunkard was there. Below, J. Neas speaks with both Arcade Fire’s Win Butler and Superchunk/Merge Records founder Mac McCaughan about the show, the campaign, politics and the music.

Aquarium Drunkard:
I wanted to ask how the Arcade Fire got involved with the Obama campaign and ended up playing some of these rallies - because [the Obama rallies in Greensboro and Carrboro, North Carolina] isn’t the first time you’ve played a show as a rally for Senator Obama, is that correct?

Win Butler: Yeah, we did a couple of shows in Ohio and it was a really positive experience. We wanted to do it again, so it seemed like a perfect opportunity.

AD: Being labelmates, was Superchunk just a natural fit for coming down here to play a show?

WB: I gave Mac [McCaughan] a call and, you know, I’ve been in contact with several people in the campaign - there’s a guy who is actually running the campaign in South Carolina who initially got in contact with us - and we were finally able to do something in Ohio. We’ve spent kind of a lot of time in North Carolina because Merge [Records] is based here and we’ve played with Superchunk before and it just seemed like it would be really fun to play an outdoor show and to do it for the campaign.

AD: A lot of people - critics and different people - when reviewing your most recent record, Neon Bible, had talked about their being political themes running through it - political in the sense of political in the personal. Is that something that you’ve felt in your songwriting recently or something the band has felt?

WB: I think it’s hard for the world not to have an impact on your art. I think that there’s always kind of an interplay between what’s happening in your world and what you think about.

AD: Are the rallies something that’s been getting a lot of positive response? How did the shows in Ohio go?

WB: They were great. It was very, very last minute and the campaign is very much run by volunteers - it’s a very mom ‘n’ pop operation - and I ended up booking some of the shows and just threw a bunch of stuff in the van and drove down. For us it was just really cool to go and, even beyond the fans, just going and meeting a lot of people working the campaign, because people are just working their butts off and really doing it out of excitement. To be able to help with that a little bit was really satisfying.

AD: Is this something that if the opportunity arose, however the primaries turn out, you would consider going out and doing for the general election in the fall?

WB: To be honest, for me it isn’t so much about our political opinions affecting anyone else. I think that we put a lot of energy into our music when we play and I think that a lot of times people observe the political process through TV - you end up watching campaign commercials and CNN and it ends up getting dictated to you. There’s a real feeling of excitement in this kind of grassroots thing happening with the Obama campaign which has just been totally spontaneous and I think for us, what we’re able to provide a little bit is giving people an excuse to get together and share in that excitement a little bit. I think looking beyond this primary, the general election is going to be a huge moment for the country and the more plugged in we all are, the more we’re able to get together, I just think that it will have a big impact.

AD: I think with the voter turnout for these primaries, which has been astronomical across many states, and especially with, whether you think it’s a good or bad thing, the prolonged primary in the Democratic side of things, it has given people in states that normally just don’t get a chance to come out and share their opinions a chance to come out and do so, at least in the primary.

WB: I think it’s ultimately a healthy thing. We’ll see how it all goes in the end, but I think people being involved and sharing their opinions and kind of being together in the political arena is kind of a rarity and I think the amount of excitement that has been in this campaign has been directly attributable to some of the energy that Barack has brought and I just think it’s a really different feeling and people are really responding to that.

Mac McCaughan:

AD: I wanted to ask how Superchunk got involved with playing this rally
.
Mac McCaughan: Well, we knew of course that Win and Arcade Fire had done shows for Obama in Ohio and I thought that was really cool. When it became clear that the North Carolina primary was actually going to mean something, Win called and said ‘Hey, we were thinking we could come down and do a couple of shows, would you guys be into it?’ And we said yes, you know, we only play a couple of shows a year at this point and we didn’t have any of our shows scheduled. So we figured these could be our shows for this year. So we’re excited about them.

AD:
Has either Superchunk or Merge Records done a lot of this type of political work before?

MM:
You know, I think it’s interesting. I think everyone knows where we kind of stand on things, but obviously as a label, we can’t speak for all the bands. But the band, I think people can kind of imagine where we’re at. We did play a big Harvey Gantt benefit in Durham, when he was running against Jesse Helms [1996], and it was in a ballpark - we played and Polvo and Archers of Loaf - it was a huge thing and that was really fun, so we have done things like this in the past. But this seems the most kind of urgent and most high profile, certainly, in terms of it being a presidential race and the shows being with the Arcade Fire, who everyone knows. I think they should be fun.

AD: Can you talk a little bit about how you originally got Arcade Fire onto Merge Records?

MM: Yeah, there’s a guy who played drums on Funeral [Arcade Fire’s first LP] - used to be in the band - and he helped produce - he recorded Funeral, actually - named Howard Bilerman. We met Howard the first time Superchunk ever toured Canada. He came to shows in Montreal and we’ve kind of known him ever since. So a few years ago he sent - actually, first he sent a DVD and I couldn’t get it to work, and he sent a CD and he said the band he was playing drums with wasn’t his band and if we didn’t like it he would understand, so he kind of downplayed it. But obviously we did like it and that’s how we found out about them. I feel very lucky that Howard thought of us and sent the CD down.

AD: Is playing these kind of shows something you would be interested in doing for the general election as well?

MM: I think that we probably would be, but at the same time I don’t like to think too far ahead on stuff like this because - if Hillary is the candidate, I’m not sure if we’d be as excited. Obviously we want a Democrat in the White House, but what makes Obama so exciting is he is different from pretty much any candidate I’ve ever had a chance to vote for.

AD: It is very exciting that for the first time, certainly during my career as a voter, and probably in a lot of people’s memories, that the North Caroling primary actually is going to get a chance to mean something. It’s kind of neat that a lot of North Carolinians are getting a chance finally to express themselves in various ways.

MM:
Yeah, my wife and I went and saw Obama speak last night in Chapel Hill and that was exciting. And again, it’s hard to think of any candidate that I would actually go to a political rally to hear them talk and see them in person. I think that the key thing about these shows is, obviously getting everyone to vote, but also letting everyone know that they can vote early. And even beyond that - because they’ve had early voting before in North Carolina - they have something now for people who haven’t registered yet. They can register late and vote right then. Usually there’s always been a deadline, but this year you can register up to May 3rd [the primary is May 6th], you can just go right into the early voting places and register on the spot and vote right then. That’s a new thing that I think is pretty exciting. - j. neas

+ Download DRM FREE music via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

the everybodyfields

Off The Record is a recurring feature, here on the Drunkard, that marries two of my greatest interests; music and travel. Having a locals perspective when visiting a new locale is the difference between experiencing it through the lens of a tourist and of that of a native.

Off The Record gathers some of my favorite artists, asks them to reflect on their city of residence, and choose a handful of places they could not live without, be them bookstores, bars, restaurants or vistas.

Today’s installment of OTR catches up with The Everybodyfields’ Sam Quinn who, throughout his years playing music, has called various Tennessee locales home, and presently (when not on the rad) resides in Knoxville. Look for The Everybodyfields latest album Nothing Is Okay (August 2007) out of Ramseur Records.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Five Things That Sam Quinn Misses The Most When He Is Away From Home

SPEED OF LIFE :: I live in South Knoxville and here things move at a pace that I can relate to: slow. I can usually find the time to enjoy the finer things in life like shooting bb guns, walking around the grocery store, drinking beer in my living room outside, swimming in the quarry — the real meat of life. I strive daily to become Huckleberry Finn, perhaps the greatest American who never set one toe on this fat land. Huck Finn probably would not have had a website, though. So it goes.

QUIET :: I read somewhere that Debussy said, “music is the silence between the notes.” Riding in the van is a little activity of which I have logged many a long hour — pining, radio blasting the hit parade in the front seat while I experiment with different techniques of humming with my fingers in my ears. While I am a music lover, I tend to agree that silence is underrated, or maybe just the privilege to have it certainly is. To share your life with three other people in a car for weeks at a time is to sacrifice so many personal leisures. At home, a bicycle can whiz by the front of the house and it stirs the wind like a wing of beasts long extinct, not unlike Debussy.

CHICKEN SALAD :: Chicken Salad might be the best damned thing ever created. Randomly finding a tasty dollop of heaven on these highways and byways is about as likely as getting a bumble bee to draw you a picture of a monkey. Almond slivers — sure. Grapes, I am for them. There is a place called Kay’s Ice Cream about two miles from my house that will slide me one over the counter for two bucks. They put too much butter on the bread and sometimes you find a bone in there but I shall not waste my time dwelling on matters such as these.

EAST TENNESSEE :: No Nashville. No Memphis. Just rolling hills, clean air and as much life in the right lane as one can handle. I love North Carolina. I love Oregon. I have even been to the desert and I entertained visions of staying, but when I close my eyes and click my heels together it is East Tennessee that is the fancy of my heart. Things can get backwards anywhere, but I would like to reiterate the philosophy that it takes all kinds. I have an immense love for the Great American South and I feel blessed to have spent the majority of my years in the throes of its temperate hem and haw. East Tennessee you are my mother and I am your son.

Download:
MP3: The Everybodyfields :: Aeroplane
MP3: The Everybodyfields :: Don’t Tern Around
———–
Amazon: The Everybodyfields - Nothing Is Okay

www.theeverybodyfields.com ++ www.myspace.com/theeverybodyfields ++ @ eMusic

+ Download DRM FREE music via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

Like Thurston Moore and Rob Sheffield before him, AD contributor j. neas reflects on, and laments, the art of the (actual) mixtape. Now, raise your hand if you’ve created a muxtape (yes, I’m guilty). Part two of two. You can read part one, HERE - AD

mix-tape.jpgI never want to own a car without a cassette player.

That may sound like a hyperbolic statement - especially since it’s becoming less and less likely that even my next car purchase will have a tape deck installed, let alone all future ones - but you have to see it from my perspective. The first car I drove on a regular basis was a 1988 Chevrolet Suburban, dual exhaust diesel. A friend of mine called it ‘the Beast.’ When I purchased my first portable CD walkman, I bought an adapter kit to hook it up to the stereo in my Suburban. It promptly blew out a few fuses. I took that as a sign. That car was made for cassettes.

So whether it was those Replacements bootleg cassettes that the most randomly kind person ever in the world gave to me (ask me that story sometime) or Toad the Wet Sprocket’s Dulcinea or any other number of tapes I owned, they were the permanent soundtrack. My friend Andrew would often hijack my player when he was riding shotgun. He was perpetually in possession of some sort of tape to put upon me. My first listens to Grandmaster Flash and the Furious Five came through those tinny speakers. So did my first listens to Highway 61 Revisited.

I won’t defend cassettes when it comes to sound quality. But for those of us who came of age with them, there’s a feeling about them that is similar to the way people feel about vinyl versus digital music. A commenter on the first part of this series noted that tapes offer a level of complexity/duality that CDs can’t, and I think that’s why cassettes have felt like the stylistic link, in some ways, from vinyl to CDs. Cassettes offered the portability and versatility that CDs would while maintaining the aesthetic feel of vinyl with two sides to each record. The dip in sound quality was an obvious setback - cassettes offered neither the clarity of CDs or the warmth of vinyl, so from that perspective, they lose.

But they were also the first major commercial format to give control to the listener. Blank cassettes offered us a canvas in a way that hadn’t been done before. Who had a vinyl pressing machine in their house? Or how easy to use or non-formidable was a reel-to-reel? People make arguments about the digital-download age bringing about the destruction of the album, but couldn’t an argument be made to trace the beginnings of that process back to our ability to make mix-tapes? It was a lot more complex to make a mix tape than a mix CD, but it was still the chopping and screwing of whole pieces of art into new collages.

Until recently I had not thought that much about cassettes. There are two of those cassette holder drawers (you know, the ones with fake wood paneling) that sit here along with the vinyl records and CDs. I listen to tapes off and on in my car, but I listen to CDs or the radio more often. But there’s something magical when I pop in that copy of Come On Feel the Lemonheads and the first notes of “The Great Big No” come out of the speakers, somewhat awash in a vague compressed hiss that only a cassette provides. That hiss is as important as the pops and crackles of vinyl and it will always bring a smile to my face. - j. neas

Download:
MP3:
The Replacements :: Answering Machine
————

+ Download DRM FREE music via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————

dj-old-school.jpgOur weekly two hour show on SIRIUS, channel 26 Left Of Center, can now be heard twice, every Friday - Noon EST and then an encore broadcast at Midnight EST. Below is this week’s playlist.

SIRIUS 46: DJ Shadow - Best Foot Forward ++ Darondo – Let My People Go ++ Sister Nancy - Bam Bam ++ The Meters – A Message From The Meters ++ Shuggie Otis – Inspiration Information ++ Bob Marley & The Wailers - Kaya (alt mix) ++ Digable Planets – The May 4th Movement ++ A Tribe Called Quest – Get A Hold ++ Donny Hathaway - Jealous Guy ++ Willie Williams - Armageddon Time ++ Aaron Neville - Hercules ++ Taj Mahal - Ajax Piano Rag ++ The Israelites - Come Together ++ Link Wray - La De Da ++ Captain Beefheart - Sure Nuff N Yes I Do ++ Terry Callier - You Miss Your Candyman ++ Harry Nilsson - Many Rivers To Cross ++ Cat Power - Willie ++ Dusty Springfield - Don’t Forget About Me ++ Rod Piazza: Cissy Strut ++ Erma Franklin/Jackie Wilson - Light My Fire ++ Beastie Boys - Flute Loop ++ Jon Spencer Blues Explosion - Afro ++ The Black Keys - Thickfreakness ++ Fred & The New JB’s - Breakin’ Bread ++ The Meters - Keep on Marching (Funky Soldier) ++ Stevie Wonder - Too High ++ Eddie Bo - Funky Yeah ++ My Morning Jacket - Tyrone (cover) ++ Man Man - I’d Rather Go Blind ++ Cal Tjader - Soul Sauce ++ Carrie Riley & The Fascinations - Super Cool ++ Sugar Massive - Never Felt This Way Beastie Boys - Son Of A Neckbone ++ Peter Tosh - Stepping Razor

*You can listen, for free, online with the SIRIUS three day trial — just submit an email address and they will send you a password.

——————————————————————————————————————————

citified-crop.jpgThere’s something to be said for brevity - albums that know when to quit and don’t stick around too long. All too often I’m subjected to albums that have just too many songs, or even EPs with lackluster filler surrounding one or two solid entries. When albums come out that are honestly fantastic from stem to stern, it’s worth noting.

Greensboro, North Carolina’s Citified released their first album back in 2005, but its follow-up, The Meeting After the Meeting, has been worth the wait. Channeling elements of everything from the Red House Painters to REM, from Echo and the Bunnymen to a more organic Depeche Mode, Citified is a band who bears repeated, careful listens revealing a divine craft for layered production.

The melancholic, reflective “Weddings” is the EP’s opener and the song most akin to Depeche Mode in style. The brooding keyboard and lyrics create an autumnal tone - “Open bar / means I’m safe” - the lyrics implying something worth drinking about. The soaring “KL Gala” holds one of the EP’s finest moments - a mid-song faux-fade that makes it seem, if only for a moment that the song is left floating in mid-air. The hazy crunch of “March Through Mayday” turns Citified into a contemporary of My Morning Jacket - blissful chorus and start-stop verse riffs that tremble and vibrate beneath the uniform reverb vocals.

Citified’s tendency to create unique moments within songs is what makes their music stand out and it’s “Read Like a Number” that ends up being the crown jewel of the record. The neatly picked melody beneath the propulsive swirl of the vocals creates a mighty song that really takes off in the entry to the first chorus - four-part harmony falls into place, one voice at a time, before crashing into the chorus. It’s the type of moment that makes a song and can even make an album and here, nestled among the moments that inhabit every song, it serves to push the entire EP to a point above and beyond. - j. neas

Download:
MP3: Citified :: Read Like A Number
MP3: Citified :: Weddings
———
Amazon: Citified - The Meeting After the Meeting

+ Download
DRM FREE music via eMusic’s 25 free MP3 no risk trial offer
——————————————————————————————————————————