After the amiable lo-fi debut If I Am Only My Thoughts, Loving makes a self-proclaimed “sonic leap” on sophomore stunner Any Light. Of course, this seamless transition to the studio is a credit to the Canadian duo’s charmingly unwavering formula. With delayed vocals that don’t kick in until nearly two minutes, the gentle acoustic strum of the title track sets the perfect tone for this remarkably intimate collection of songs.

Diamond Jubilee feels like a throwback to a different, weirder, cooler, better era in independent music. An era where a record such as this one — a record not available on streaming services, that can only be listened to on YouTube and via WAV files available for purchase on the artist’s website, and which was birthed into the world with no advanced single or press, that eschewed the long and laborious album rollout, and so felt like an artifact from space crash landed onto Earth — wasn’t so tragically uncommon.

Had The Carnegie Hall Concert been released in 1971 when it was originally commissioned and recorded by Impulse as a double live LP, it would undoubtedly rank among the all-time holy grails of live jazz, no, live music, period.

somesurprises began modestly, but with the band’s latest record, the excellent Perseids, they’ve moved into a positively widescreen space. It’s a dreamy sound, occasionally reminiscent of such legends as Stereolab, Grouper, Mazzy Star or Yo La Tengo. But it’s not just dreamy. Beneath the gorgeous drones and sweet motorik pop-rock, there are plenty of sharp edges, both sonically and lyrically.

“Waiting Room” this is not. This grip of thirteen tracks of art damaged post-punk turns 30 next year …

Prior to founding Zelone Records and becoming the emperor of mellow groove, Shintaro Sakamoto fronted Yura Yura Teikoku. A scrappy psych trio with humble origins in the Tokyo’s DIY underground, the band cut a unique trail guided by an eclecticism that pushed their sound ever further to new heights.

Thirty years into his storied career, Jewelled Antler veteran Steven R. Smith remains one of the most distinctive guitarists in American music. Whether observing the flora and fauna or the ruins of imaginary cities, Smith’s music is a form of witness. His newest album, Olive, featuring Kate Wright of Movietone and a micro-orchestra of horns and woodwinds, seasons his funereal post-rock with whimsy and brightness.

Rosali’s Merge debut Bite Down already has the makings of classic summer album. Bursting with singalong choruses, big barroom rave-ups and bleary confessions of both love and doubt, this is one that everyone can find a way into.